Some songs do not play, they explode, and ENAVEs Skeletons explodes like an orchestrated blast in the shut rooms of the soul. This is music to distract, not to ignore but to invite you to see all that you have closed behind closed doors and hope that silence would make them fade away.
The song has a take hold of you at first beat. The percussion commands are like a heartbeat that you cannot stop, and a magnetic riff spirits around the structure creating something alluring and disturbing. The lyrics change as quickly as the weather – one minute muttering confessions, the next roaring revelations – reflecting the storm of the ultimate resolution of repressed trauma.
The mood exudes mystery and darkness, all in order to create a song about hidden injuries and suppressed recollections. ENAVE – is itself an encrypted name, not a real one – has created something with many frequencies: alternative rock statement, psychological excavation, and a purge ritual simultaneously.
The thing that makes Skeletons really impressive is that it does not offer an easy comfort. This is music that feels liberation needs to face confrontation as opposed to avoidance. The song takes you on a journey of internal self-assessment in phases of repression, escape, acceptance, and finally reconstruction over five minutes. It is treatment in the disguise of art – ruthless in truth but weirdly purifying in process.
ENAVE does not hide darkness, she makes it a weapon, turns it into another form, transforms it, a source of shame, into a source of revelation. Skeletons requires bravery on the part of the audience and compensates the bravery with something genuinely transformative. This is music that is there to those who are willing to be torn apart and then to be put together as a stronger being.
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